Design Manifestos

by , under FOUND

A partial history of designers sorting out their values and putting ink/press to paper.

El Lissitzky on typography from 1923 and some thoughts on his future-cast at Eye Magazine:

  1. The words on the printed surface are taken in by seeing, not by hearing.
  2. One communicates meanings through the convention of words; meaning attains form through letters.
  3. Economy of expression: optics not phonetics.
  4. The design of the book-space, set according to the constraints of printing mechanics, must correspond to the tensions and pressures of content.
  5. The design of the book-space using process blocks which issue from the new optics. The supernatural reality of the perfected eye.
  6. The continuous sequence of pages: the bioscopic book.
  7. The new book demands the new writer. Inkpot and quill-pen are dead.
  8. The printed surface transcends space and time. The printed surface, the infinity of books, must be transcended. THE ELECTRO-LIBRARY.

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